Friday, February 03, 2017

Welcome to Kaufmann Central!



He's back. Presented the other day with the Special 'Victoires de la mystique classique' Award in France, Jonas Kaufmann sang Rota's 'Parla più piano' (aka The Godfather) at the ceremony. This was it.

Now is the winter when my discount tent is pitched on the concrete outside the Barbican Centre. In these grim times we need something to look forward to, and if you happen to be a "Kaufmaniac" the ultimate thing to look forward to is about to happen, right here in sunny London.

Jonas Kaufmann is presented with the Special 'Victories de la musique classique' award in Paris. Photo: Edouard Brane

'Der Jonas' is coming to town for The Kaufmann Residency at the Barbican Centre. Between tomorrow (4 Feb) and Monday week (13th) he is giving three concerts and an open interview. Some of his fans here have been nail-biting a little over the past months while he has been off, recovering from what was apparently a hematoma on a vocal cord. The pessimists among us wondered if the residency would actually go ahead.

The other week, though, Kaufmann made a triumphant return to the stage in Paris as Lohengrin, and there's no sign of fading ambition. A new recording is coming out shortly (UK release in April), in which he sings the whole of Mahler's Das Lied von der Erde. And in case you haven't heard, news is out that a concert performance of Tristan Act II is planned for New York in April 2018. One hopes that may indicate the ultimate Wagner tenor role sidling gently into the repertoire...

He gave an interview to Paris Match talking about his return to the stage, saying that everything is going rather well.

Vous dites avoir eu encore des soucis de santé. Comment allez-vous ?
Je vais très bien maintenant, ma voix aussi. On a déjà fait des répétitions, tout est impeccable, grâce au temps de repos imposé. Mais ça a été un moment difficile à passer pour moi, d’autant que je ne suis pas quelqu’un de très patient. J’aime vraiment agir, prendre tout en main. Et j’étais là à attendre, sans avoir la possibilité d’accélérer les choses. Personne ne pouvait me dire si ça durerait deux semaines, un mois, deux mois… En quatre mois, l’hématome s’est résorbé. Tout est redevenu normal, les conditions sont donc idéales. Ce n’était pas mon premier choix de recommencer avec “Lohengrin”, même si j’ai déjà tenu le rôle plusieurs fois. Je connais cette production que j’aime beaucoup. Avec cette orchestration de Philippe [Jordan], j’étais sûr qu’il n’y aurait pas de risque. Donc, je suis très content.

Anyway, back to London. Here's what's happening. Everything is sold out, but do try for returns.

4 Feb: Recital with pianist Helmut Deutsch

Schumann Kerner Lieder, Op 35
Duparc
‘L´invitation au voyage’ 
‘Phidylé’ 
‘Le manoir de Rosemonde’ 
‘Chanson triste’ 
‘La vie antérieure’
Britten Seven Sonnets of Michelangelo, Op 22


8 Feb: Wagner

Wagner Prelude to Tristan und Isolde
Wesendock 
Lieder
Act I from Die WalküreJonas Kaufmann tenor
London Symphony Orchestra
Sir Antonio Pappano 
conductor
Karita Mattila soprano
Eric Halfvarson bass


10 Feb, 2pm, Milton Court: In Conversation

Jonas Kaufmann in conversation with young singers at Milton Court. 

Jonas Kaufmann talks to and works with aspiring singers from the Guildhall School of Music and Drama: an unprecedented chance to witness a master-musician discussing the practicalities and fundamentals of his craft in the informal atmosphere of Milton Court.


13 Feb: Strauss, Elgar, Korngold

The Four Last Songs. Yes, they're originally for soprano. Yes, that's just fine. And yes, the programme opens with Korngold's Schuaspiel Overture, which I have never before heard live and certainly not in London, and this requires its own pre-breakfast celebratory somersault.

Korngold Schauspiel OvertureStrauss Symphonic Interlude from Intermezzo, Träumerei am Kamin
Strauss
‘Ruhe meine Seele’
‘Freundliche Vision’ 
‘Befreit’ 
‘Heimliche Aufforderung’
Elgar In the SouthStrauss Four Last SongsJonas Kaufmann tenor
BBC Symphony Orchestra

I am intending to go to the whole lot. For the duration, JDCMB is becoming KAUFMANN CENTRAL. I'll be reviewing the performances, reporting on the conversation and keeping the Kaufmaniacs up to speed on how it's all going. Yes, it's escapism. Yes, I need that and so do a lot of us.