Showing posts with label Ghost Variations: the Concert of the Novel. Show all posts
Showing posts with label Ghost Variations: the Concert of the Novel. Show all posts

Saturday, February 17, 2018

And yesterday was...

Jelly d'Arányi: Schumann heroine
...the 80th anniversary of the UK premiere of the Schumann Violin Concerto, given by our own Jelly d'Arányi with Sir Adrian Boult and the BBC Symphony Orchestra at the Queen's Hall, London. If I remember right, the second half contained the UK premiere of Sibelius 5. As this event forms the climax and final chapter of my Ghost Variations I really should have flagged it up on the day, especially as I had been intending to do so for months on end.

Fortunately, the Royal Northern Sinfonia did notice, and planned ahead, and got Alina Ibragimova to come up and play it, and Radio 3 noticed too and broadcast the concert, so it is now, happily, available to listen to on the BBC iPlayer, here. http://www.bbc.co.uk/programmes/b09r7vb0

The full history involved a surprise "spirit message" ostensibly from Schumann; a hunt - by the Swedish Minister in London - through the music libraries of Berlin; a propaganda exercise by the Nazis, who wanted the Schumann concerto to replace the banned Mendelssohn in their people's affections; a reworking of the piece because it didn't, er, quite fit the bill - mostly assigned, unbeknownst to the authorities, to Hindemith; the intervention of Yehudi Menuhin, the young Jewish American violin superstar to whom the publishers from Nazi Germany sent a photostat of the manuscript; and a scandal when the story of the "spirit messages" broke just weeks before Jelly was supposed to give the London premiere, which was then delayed for about four months, though mostly because the Nazis kept changing the date of the German premiere... The saga took some disentangling, but much of it is in Ghost Variations.

...which is not a "romantic story", as one lady I met at a party fondly imagined, but is about the rise of facsism and a warning from history. Eighty years ago does not seem such a long time, being easily within living memory. Several years after the performance, the Queen's Hall was flattened in the Blitz. Tovey died in 1939, as did Jelly's brother-in-law. Myra Hess became a national heroine. Things change. Things can change fast when balance is lost. This was the edge of madness - for Schumann, for Jelly, for the world itself - and we shouldn't forget, because we may be at another edge of madness now.

David Le Page, Viv McLean and I are also doing a Ghost Variations concert this week, the nearest thing we have to an anniversary performance: it will be under the auspices of the Leicester International Music Festival which runs a series of lunchtime concerts year round. It's at the Victorian Art Gallery, New Walk Museum, Leicester, on Thursday 22 February, 1pm. The programme has been adapted for a one-hour format and includes some pieces new to our programme, not least by Gluck and Elgar. We do hope you'll come along if you're in the area. More details here.

Sunday, October 22, 2017

This week...

This is one busy week.

MONDAY. It's this:


You'll find me and the fabulous musicians David Le Page (violin) and Viv McLean (piano) at the Crazy Coqs, Brasserie Zédel, Sherwood Street (just off Piccadilly Circus), with the words&music story of Jelly d'Arányi and the Schumann Violin Concerto, starting 7pm. Music includes Bartók, Brahms, Mendelssohn, Kelly, Ravel, Hubay and, uh, Schumann... Book here: https://www.brasseriezedel.com/live-at-zedel/ghost-variations-oct-2017/112243587

TUESDAY and FRIDAY. I'm honoured to be serving on the jury of the London Bach Singing Competition. We have the semi-finals on Tuesday evening and the final on Friday, both at St George's, Hanover Square. After the first round the other day, I can promise you we've found some simply glorious voices and we're looking forward to hearing ten of them again in the semis, singing recitatives and arias from the St Matthew and St John Passions. Four will go through to the final. Both these rounds are open to the public, so do join us for a spot of Bachian glory. Details of the events and names of the semi-finalists are now up, here.

WEDNESDAY So, Wednesday is looking a bit packed... I'm very excited to be going on BBC Radio 3's In Tune, where Katie Derham will be interviewing me about Ghost Variations and the Schumann Concerto, ahead of our Artrix Bromsgrove performance (3 Nov) and Burgh House Hampstead (19 Nov). Straight out of Broadcasting House, I must leg it to Cadogan Hall, where I'll be doing a spot of actor interviewing about Mozart and Salieri for the London Chamber Orchestra's concert, which culminates in the Mozart Requiem. Christopher Warren-Green conducts. Booking here.

SATURDAY Off to Leipzig for the first time ever, to see all sorts of amazing things relating to Bach, Mendelssohn, Schumann and maybe even Wagner...

I also have to write a feature and some sleeve notes. So I'm now off to have a quick nap.

Saturday, October 14, 2017

What do you think of the Schumann Violin Concerto?


Although it's only just over a week to go until the first of our Ghost Variations concerts for the autumn, I have to admit I'm no nearer to the answer to the million-dollar question about the Schumann Violin Concerto that everybody asks me: "so, look, does it really show signs that he was losing his mind, or what...?"

So I thought I'd ask you. There's a poll in the sidebar, just above my welcome notice. Please place your vote and we'll collect the final tally on the morning of 24 October, the day after our Live at Zédel concert.


Ghost Variations concerts in the next five weeks are:

Monday 23 October, 7pm, Crazy Coqs, Brasserie Zédel, just off Piccadilly Circus. Book here.

Friday 3 November, 7.30pm, Artrix Arts Centre, Bromsgrove. Book here.

Sunday 19 November, 6.30pm, Burgh House, Hampstead, London NW3. Book here. 

Wednesday, November 02, 2016

Final call! Plus November update

Dave & me taking a sort of bow
Final Ghost Variations Concert klaxon of the year: tomorrow, 3 November, at the Barnes Music Society, my ace and beloved duo colleagues - the dastardly David Le Page (violin) and the vivacious Viv McLean (piano) - and I are proud to be presenting our show for its final performance of 2016. It's the last one for a little while, so if you want to hear it I recommend showing up at the Old Sorting Office, Station Road, Barnes, London SW13 tomorrow evening for a 7.30pm start.

The programme includes music by Bartók, Brahms, Ravel, Mendelssohn, Hubay, FS Kelly and Schumann, all of it chosen for its relevance to the story and most of it intimately connected with Jelly d'Arányi.

All details at the Barnes Music Society website. See you there!

And meanwhile...

HUNGARIAN DANCES is back! This autumn has marked the 60th anniversary of the 1956 Hungarian Revolution and we are commemorating this with two performances in the north of England, one at the Helmsley Arts Centre in North Yorkshire on 12 November and the other at The Sage, Gateshead, on 22 November. The magical Bradley Creswick is the violinist, with the equally magical Margaret Fingerhut at the piano, and the story of Mimi Rácz's journey across the 20th century - from Roma child to celebrated soloist to exiled great-grandmother - is brought to life in music including Dohnányi, Dinicu, Debussy and much more. The venues are special delights, as Helmsley was host to my play back in July with the Ryedale Festival, and The Sage was where the whole phenomenon of the novel-concerts really took off: they commissioned the Hungarian Dances project for the Fiddles on Fire Festival back in 2009, so really this is going home.

On a totally different tack, next week, on 9 November, I'm delighted to be chairing a pre-concert women composers' panel discussion at the London Festival of American Music, under the auspices of Odaline de la Martinez.

Busy month ahead, which is fine.

Tuesday, October 18, 2016

TONIGHT we're at Leighton House


TONIGHT: We're thrilled to be giving the 'Ghost Variations' concert to open the Kensington & Chelsea Music Society's new season, at the gorgeous Leighton House Museum, 12 Holland Park Road, London W14 8LZ. Music by Ravel, Bartok, Mendelssohn, Brahms, FS Kelly, Hubay, Schumann, played by the fabulous David Le Page (violin) & Viv McLean (piano), narration by muggins based on 'the strangest detective story in music'. Leighton House is home to an incredible Turkish-style foyer and exhibits including paintings by the pre-Raphaelites, notably 'Flaming June' (above). 7.30pm start. Book signing to follow. Do join us if you can. Booking at WeGotTickets, here.
David Le Page. Photo: Natasha Bidgood




Tuesday, August 30, 2016

Please come to St Mary's Perivale on 7 September!

Ghost Variations is nearly here. Just three more days, I believe....and next week my performance partners David Le Page and Viv McLean - an absolute knockout of a violin and piano duo - join me for the first of four concerts we are giving through the autumn based upon 'Ghost Variations'. I narrate, they play the appropriate music and thus we tell the story together. 


The first concert is on Wednesday 7 September at the exquisite 12th-century church of St Mary's, Perivale, tucked away behind the A40. It's an intimate venue with a magical atmosphere and a marvellous concert series. Admission is free and seats unreserved (though you may make a donation at the end). 

The "pilot" for the project took place, to a very warm reception, at the Hungarian Cultural Centre back in March and  we have now extended it a little and added an interval, creating a full-evening recital. Incidentally, there will also be a shorter version, available for coffee concerts in the new year. Every piece has been chosen with forensic care to match the story, its protagonists and the necessary atmosphere.


(Above, Dave plays at the premiere...)

You'll have the chance to hear music written for Jelly d'Arányi - Ravel's Tzigane; Brahms Hungarian Dances arranged by her great-uncle, Joseph Joachim; music she played a great deal, such as the Mendelssohn Violin Concerto; a piece by Frederick Septimus Kelly, whom she had hoped to marry before he was killed at the Somme; 'Hejre Kati' arranged by her teacher, Jeno Hubay; and, of course, plenty of Schumann, including a juxtaposition that makes clear how close the slow movement of the Violin Concerto is to the theme of the Geistervariationen. Songs from the Thirties will welcome the assembling audience, creating the ambience in which the story unfolded (and I'm on the lookout for some vintage clothing...).

More details of the concert and how to get to St Mary's are available at the website: http://www.st-marys-perivale.org.uk/events-2016-09-07.shtml

PLEASE COME ALONG AND JOIN US!

Further performances very soon...watch this space...

Tuesday, March 22, 2016

Ghost Variations: the world premiere

Viv McLean, JD, David Le Page and the HCC's director Eszter Pataki

David Le Page, Viv McLean and I gave the first-ever performance of our new concert, Ghost Variations, based on my forthcoming novel, last night at the Hungarian Cultural Centre in Covent Garden. It's a gorgeous venue - as you'll see from the pics - and we felt very thrilled to be part of their Monday Musical Soirée season. Moreover, a packed house and the huge enthusiasm of the audience proved most encouraging.


The concert traces the story of the great Hungarian violinist Jelly d'Arányi and her rediscovery of the Schumann Violin Concerto, mingling shortened extracts of the novel with some explanatory links and, of course, the music that she used to play. We feel this is a words&music programme with a difference - because without the music, there wouldn't have been any words at all. Dave and Viv played works including the Bartók Romanian Dances, extracts from the Mendelssohn and Schumann violin concertos, Ravel's Tzigane, Hubay's Hejre Kati, Schumann's Violin Sonata in A minor and the theme from the Geistervariationen...

Afterwards: time for some Hungarian wine

Enormous thanks to the HCC for an unforgettable evening! Meanwhile: this concert programme really works, so is now available for booking. Happy to say it is supremely well suited to festivals and music clubs: it's 100 per cent accessible due to its storytelling nature, the words and the music are 100 per cent integrated, and the story has the added benefit of being based on real events.



The novel will be published in the summer. You can still get your name into it as patron if you pre-order it via Unbound.